M. M.
Eisnor
a,
K. E. R.
McLeod
a,
S.
Bindesri
a,
S. A.
Svoboda
b,
K. L.
Wustholz
c and
C. L.
Brosseau
*a
aDepartment of Chemistry, Saint Mary's University, Halifax, B3H 3C3, Nova Scotia, Canada. E-mail: christa.brosseau@smu.ca; Fax: +902 496-8104; Tel: +902 496-8175
bDepartment of Conservation, The Colonial Williamsburg Foundation, Williamsburg, Virginia, USA
cDepartment of Chemistry, William & Mary, Williamsburg, Virginia, USA
First published on 30th November 2021
The identification of natural organic pigments is important for the conservation, preservation, and historical interpretation of artwork. Due to the fugitive nature of the natural dye components in pigments, their analysis can be complicated by issues such as low concentration and sample complexity. In addition, these pigments are exceedingly diverse, and often represent complex mixtures which are difficult to analyse without a separation step. A particularly challenging class of dyes is the natural yellow polyphenols (i.e. quercetin, rhamnetin, emodin, etc.). Several techniques have been used successfully for the identification of phenolic compounds in a complex mixture, but the majority of these methods require advanced instrumentation and one or more separation steps. In addition, these methods may lack the sensitivity needed to detect minute amounts of pigment remaining in faded artwork. As a result, there is a need for innovative methods of analysis which can be applied to the interpretation of artworks containing natural dyes. In this work, cost-effective screen printed electrodes (SPEs) modified with silver nanoparticles (AgNP) were used to amplify the electrochemical SERS response of phenolic compounds. In particular, application of a voltage to the SERS substrate allows for a fine-tuning of the SERS signal, and was successfully used to separately characterize dye components in two natural yellow lake pigments, Reseda Lake and Stil de Grain. To our knowledge, this work represents the first electrochemical surface-enhanced Raman spectroscopy (EC-SERS) study of polyphenolic dye mixtures, and is the first application of EC-SERS for natural pigment analysis. This work establishes EC-SERS as a useful technique for the identification of complex natural dyes which may find potential use in the cultural heritage realm.
Different polyphenols have quite distinct chromophores which are responsible for the colour found in many natural dyes and pigments. Natural colourants have been used since antiquity for the colouring of food, leather, wool, silk, cotton and fur.10 Simultaneously, they were used to colour cosmetic products and to manufacture inks, watercolours and other artist's materials.10 Flavonoids are the main chromophores present in yellow pigments such as Reseda Lake and Stil de Grain. The main chromophores present in Reseda Lake, which is made from the weld plant (Reseda luteola), are apigenin and luteolin.11,12 Emodin, kaempferol, quercetin and rhamnetin are the primary chromophores present in Stil de Grain, a pigment made from buckthorn berries (Rhamnus cathartica).11
Various analyses have been conducted on natural dyes and pigments; however, the separation and identification of polyphenols present in artworks can be a significant analytical challenge. In particular, the differentiation of the various stereo and structural isomers is difficult.13 Other common limitations include the complex nature of the sample and that sampling from artwork is often extremely limited or not possible. In addition, complexation of chromophores with metal salts to produce lake pigments, and undesired interactions with other matrix components (i.e. the textile, binding media, fillers and extenders) can further complicate the analysis.14 Furthermore, exposure to light, air and humidity often leads to degradation of the chromophores.15 Indeed, when natural yellow dyes are present in an optical mixture, such as a green, the yellow dye may fade and the blue pigment will remain, resulting in an unnatural blue appearance for elements within paintings where the original intention was a green colour (leaves, grass, etc.).16
Raman spectroscopy is a powerful and promising technique for dye and pigment analysis in artworks.11,14,17–21 This spectroscopic technique, based on inelastic scattering of light, provides valuable molecular fingerprints, however a significant disadvantage is the very low number of photons that Raman scatter, making Raman spectroscopy an inherently weak method.20–23 Surface-enhanced Raman spectroscopy (SERS) is more advantageous compared to normal Raman spectroscopy because of its greatly increased Raman signal and significantly reduced fluorescence.24
In recent decades, SERS has proved useful for the identification of chromophores found in the various dyes and pigments used in art, including yellow lake pigments. Jurasekova et al. reported through their exploration of weld-dyed wool that certain flavonoids such as luteolin dominated the SERS signal when present in a mixture containing other chromophores such as apigenin.17 The Raman cross section of luteolin is larger than that of apigenin, and as such, it is the predominant species contributing to the SERS signal for the mixture.17 This is clearly a limitation when seeking to apply SERS analysis to a complex mixture containing multiple dyestuffs.
A notable challenge when analysing lake pigments in particular is that the chromophores are bound to a metal ion, such as calcium or aluminium, which is called a mordant. Thus, it is difficult for the chromophores to adsorb easily onto the metal SERS substrate, preventing an efficient SERS response for these molecules.14 Consequently, several ad hoc sample pre-treatments have been developed prior to SERS analysis to release the dye from the mordant.11,14,25 SERS experiments on lake pigments initially relied on extractions in strong acids or alkali.14 For example, Pozzi et al. reported that sulfuric and hydrochloric acids were successfully used for the SERS analysis of yellow dyes and lake pigments in oil paint.26 Mayhew et al. established a simple hydrolysis step using 1
:
3 hydrochloric acid/methanol at room temperature that was effective in producing high-quality SERS spectra for commercially available Stil de Grain and Reseda Lake.11 Many other SERS analyses performed on several yellow dyes and lake pigments including in art samples have been reported in the literature.27–30 These contributions over the past two decades highlight a longstanding interest in the SERS analysis of yellow dyes within the conservation community and showcase the application of SERS to art historical objects, primarily textiles.
The usefulness and versatility of SERS for art conservation studies is demonstrated in many prior works and has been extensively featured in several review articles.14,30 Nevertheless, a common issue arises when investigating colourants; just one of the many components in the sample typically gives a dominant SERS response, while the other chromophores are not detected. Additionally, certain chromophores tend to be easier to identify such as the anthraquinone-based red dyes (alizarin, cochineal) compared to natural phenolic yellow colourants.11,31 Hence, a separation technique prior to the SERS analysis is often needed when studying complex dye mixtures. TLC-SERS has worked well for purple and red dyes such as alizarin and purpurin and in addition has been explored for yellow (non-flavonoid) dyes as well.32–34 However, existing approaches to integrate analyte separations with SERS require relatively large samples, which is problematic for analysis of cultural heritage objects.
Electrochemical surface-enhanced Raman spectroscopy (EC-SERS) combines electrochemistry and SERS wherein an electric potential is applied to the nanostructured working electrode in the presence of an electrolyte.21,24,35 Through variation of the applied voltage, the magnitude of the SERS signal can be enhanced via several avenues, including electrostatic interactions (surface charge for silver is less positive as the potential is stepped in the negative direction), reductive desorption of interfering matrix species at more negative potentials, and potential-induced re-orientation of the analyte which can result in an enhanced signal via application of the surface selection rules. In addition, variation of the electrode voltage results in variation of the Fermi level for the metal, which can increase charge transfer between the analyte and the metal surface, thus enhancing the chemical mechanism in SERS. In general, EC-SERS spectra are highly comparable to SERS spectra recorded on metallic colloids in the absence of applied voltage, except in cases where potential-dependent re-orientation of molecules is significant and highly evident in the EC-SERS spectra.
EC-SERS has many advantages, including being sensitive and selective, portable and cost-effective.21 By applying an electric potential to the surface of a substrate, the SERS signal for the analyte can be greatly enhanced, consequently improving the SERS intensity for various molecules, therefore making EC-SERS a very sensitive technique.36–39 Perhaps more importantly, by adjusting the potential of the SERS-active electrode, different components of a complex mixture can adhere to the surface of the electrode sequentially, thereby greatly improving the selectivity of SERS for complex mixtures. Selective adsorption of components in a mixture onto an electrified interface can occur due to differences in molecular charge, shape and functional groups. EC-SERS has previously been used to analyse other polyphenols such as p-coumaric and ferulic acid.40 In this work, Dendisová et al. showcased how application of a potential could change the adsorption mechanism of these compounds onto the surface of gold, silver and copper substrates.40
The goal of this current research was to develop a spectroelectrochemical tool for detection of polyphenols in yellow lake pigments. In this work, eight common polyphenolic dyes were characterized using EC-SERS, highlighting the applied potential at which their signal is maximized. This approach was then demonstrated on a mixture, and then expanded successfully to two yellow lake pigments, Reseda Lake and Stil de Grain. For both pigment samples, EC-SERS allowed for the detection of multiple different chromophores. To the best of our knowledge, this work represents the first EC-SERS investigation of polyphenolic yellow dyes and their mixtures.
:
95%). Formic acid was purchased from Anachemia (Montreal, QC) and Fisher Scientific (Ottawa, Ontario). Methanol (99.9%) was purchased from Fisher Scientific (Ottawa, Ontario). AgNO3 (99.9999%), NaBH4 (≥96%), NaF (99%), and KCl (≥99%) were all purchased from Sigma Aldrich (St, Louis, MO, USA). Citric acid (>99%) was purchased from Alfa Aesar (Tewksbury, MA, USA) and sodium citrate from ACP (Montreal, Quebec). Carbon screen printed electrodes (SPEs) (15 × 61 × 0.36 mm) used to make substrates for EC-SERS were purchased from Pine Research Instrumentation (Durham, NC, USA). Argon (99.999%) was purchased from Air Liquide Canada Inc. (Montreal, Quebec, Canada).
:
95% (v/v) formic acid/methanol to obtain a solution.
:
95% (v/v) formic acid/methanol solution. 2.5 mL of each standard were then combined to obtain a final concentration of 125 ppm of each dye component. 5 μL of the resulting extract was applied to the SERS-active electrode and allowed to dry prior to measurement.
:
3 HCl/Methanol solution was added to the tubes. The tubes were left for 30 minutes, after which the extract was filtered through a 0.20 μm syringe filter, and 5 μL of the resulting extract was applied to the SERS-active electrode and allowed to dry prior to measurement.
As the potential is stepped progressively towards −1.0 V, the SERS signal is observed to decrease in intensity for all molecules studied. Once the voltage is then stepped back in the anodic direction (data not shown), the SERS signal returns, indicating that the molecule remains close to the electrode surface after desorption, and re-adsorbs as the potential is stepped in the anodic direction. Fig. 4 and 5 compare the best EC-SERS signal with the “in air” signal for apigenin and luteolin, and quercetin and emodin, respectively. The EC-SERS spectra is a significant improvement over the “in air” spectrum obtained initially for these molecules, and this observation shows that EC-SERS has the potential to significantly improve upon the normal SERS spectra for all polyphenolic compounds investigated. Similar comparisons with the “in air” spectra are provided in the ESI,† for the other four polyphenols in this work (Fig. S2–S5).
The great improvement of the EC-SERS signal compared to the normal SERS signal for the polyphenol compounds is a result of several factors. In order to prepare the SERS electrodes for analysis, interfering citrate (the reducing agent and capping agent in the nanoparticle synthesis) is first removed through displacement with chloride anion. Consequently, the surface is covered in silver chloride, with the silver chloride stretching vibration at 240 cm−1 being the most prominent feature in the spectrum. This spectral feature disappears as the potential is stepped to more negative potentials where chloride desorption occurs. Desorption of the chloride likely allows the polyphenols better access to the surface of the electrode through electrostatic interactions. With a potential of zero charge (PZC) of −0.95 V, the silver metal surface becomes less positively charged as the potential is stepped in the negative (cathodic) direction, causing the negatively charged chloride ions to desorb from the surface at approximately −0.5 V. In addition, the peaks associated with the polyphenol compounds under investigation disappear or decrease in intensity considerably as the potential approaches −1.0 V. However, these compounds are still within the double layer region because when the potential is stepped back in the anodic direction, the SERS signal returns for these compounds.
Fig. 6 shows a spectral comparison of the Reseda Lake model mixture with both luteolin and apigenin standards. In the top panel of Fig. 6, the Reseda Lake model mixture at −0.1 V from the cathodic progression is compared to the luteolin standard at −0.2 V from the cathodic progression. Comparing these two spectra demonstrates that luteolin is being detected in the Reseda Lake model mixture at −0.1 V. In the bottom panel of Fig. 6 the Reseda Lake model mixture at OCP for the anodic progression is compared to the apigenin standard at 0.0 V for the anodic progression. It is observed that apigenin, another known polyphenol present in Reseda Lake, is detected instead of luteolin. From this study, it appears that as the potential increased in the cathodic direction, luteolin desorbed from the surface of the electrode. Consequently, as the potential was stepped back in the anodic direction, apigenin could adhere electrostatically to the surface of the electrode and be detected. By simply changing the voltage, another polyphenol could be detected in the model mixture, showcasing how EC-SERS can help detect more than one polyphenol present in a pigment.
As can be observed in Fig. 7A, the “in air” spectrum for the Reseda Lake extract is exceedingly weak. When the electrolyte is added, the signal is increased significantly, as noted in the OCP spectrum. As the potential is stepped in the cathodic direction, several spectral changes are apparent. In Fig. 7B, the EC-SERS spectra for OCP, −0.1 V and −0.3 V are compared. It is clear that when compared to the spectra for the luteolin and quercetin standards (provided in the ESI,† as Fig. S-6), there are contributions from both quercetin and luteolin present. The signal at OCP is dominated by quercetin, and then at −0.1 V the spectrum is dominated by luteolin, where the signature peaks for quercetin and luteolin are denoted with white and black triangles, respectively. As the potential is stepped further in the cathodic direction, the SERS signal is dominated by luteolin but not as strongly as it is at −0.1 V. This is an interesting result for several reasons. Firstly, the main dye components observed for this lake pigment via EC-SERS are quercetin and luteolin. Apigenin was not observed to be a major contributor to the lake pigment investigated in this study, in contrast to reported studies which indicate that apigenin is a main chromophore in this pigment.1,12 Secondly, through the application of an applied voltage, the SERS signal for two different dye components is observed to be maximized at different potentials such as OCP for quercetin and −0.1 V for luteolin, highlighting the selectivity of the EC-SERS technique for the analysis of natural pigments.
Fig. 8A shows the EC-SERS cathodic progression of the Stil de Grain pigment extract. Similar to the Reseda Lake sample, the “in air” signal shows no spectral signal for the dye components, suggesting that typical SERS analysis of the dye in this way would be challenging. Once the electrolyte is added, the signal for the dye components is visible, and as the potential is stepped in the cathodic direction, the SERS signal increases to a maximum at 0.0 V and then decreases. As the potential is then stepped back in the anodic direction (Fig. S-7, ESI†), the signal is observed to increase significantly, and is maximum again at 0.0 V, however this time the signal indicates a different dye component is present. Fig. 8B and C compare the EC-SERS signals recorded at −0.3 V (anodic direction) and 0.0 V (anodic direction), respectively, which are excellent spectral matches for quercetin and rhamnetin. Again, this finding highlights the excellent sensitivity and selectivity for natural dye components achieved by application of a voltage to the SERS substrate. The various dye components and the potentials at which they appear can in fact be used as a tool to identify natural pigments which may contain many similar dye components.
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| Fig. 8 Fig. 8 (A) Cathodic progression of EC-SERS spectra for Stil de Grain extract. (B) Comparison of EC-SERS spectra for Stil de Grain extract at −0.3 V with quercetin, recorded at −0.5 V. (C) Comparison of EC-SERS spectra for Stil de Grain extract at 0.0 V anodic with rhamnetin, recorded at 0.0 V anodic. Laser excitation was 780 nm. Power at the sample was 80 mW, and acquisition time was 30 s. | ||
In order to simulate a typical sample from a cultural heritage object, a microscopic disperse sample of Stil de Grain pigment (1 mm diameter, <0.1 mg) was collected, shown as inset to Fig. 9A. The same extraction procedure was completed in a smaller volume of solvent (10 μL compared to 100 μL) and the EC-SERS analysis was performed successfully at an excitation power of 120 mW. As shown in Fig. 9A, the cathodic progression for the dye components is similar to the higher concentration study (Fig. 8A), although weaker in intensity. At 0.0 V, the SERS signal is maximum, and is clearly identifiable as a Stil de Grain dye component, most closely matching rhamnetin. Fig. 9B provides a comparison between the EC-SERS signal collected at 0.0 V cathodic for the 2 mg sample (top) and the simulated art sample (bottom).
In summary, this study highlighted that it is possible to scale down both the sample size required and the extraction protocol, such that samples which more closely simulate an art sample can be effectively studied. This demonstrates that EC-SERS may indeed be a useful technique for the investigation of art historical samples in the future and may be of great benefit when the sample size is limited.
Footnote |
| † Electronic supplementary information (ESI) available. See DOI: 10.1039/d1cp03301h |
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