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2015 Atomic Spectrometry Update – a review of advances in X-ray fluorescence spectrometry and their applications

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The use of XRPD for the investigation of historic pigments and painting materials in works by Henryk Siemiradzki

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Spectroscopic and Imaging Analyses on Easel Paintings by Giovanni Santi

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Dyes of a Shadow Theatre: Investigating Tholu Bommalu Indian Puppets through a Highly Sensitive Multi-Spectroscopic Approach

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Characterization of Pigments and Materials of the Original Body and Additions of the Book of Hours 50,1,1 from the Brazilian National Library

Isamara Lara De Carvalho, Renato Pereira de Freitas, Hiram Da Costa Araújo Filho, Ana Luísa De Queiroz Baddini, Ana Letícia Castro de Oliveira, Letícia Silva de Paula and Luisa Malizia Alves

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Colourants of Italian maiolica: Vis–NIR hyperspectral imaging spectroscopy on Montelupo Fiorentino artefacts (fourteenth–eighteenth century CE)

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Brugis pictum, le développement de moyens d’imagerie scientifique et d’analyse spectrale à KBR à travers un cas d’étude : les miniatures attribuées à Willem Vrelant et au Maître de la Vraie Cronicque descoce (xve siècle)

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Technical non-invasive study of the novo-hispanic painting the Pentecost by Baltasar de Echave Orio by spectroscopic techniques and hyperspectral imaging: In quest for the painter’s hand

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Original and restored materials revealed by contactless and micro-invasive methods of the Lady and the Unicorn tapestry “Mon seul désir”

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Coupling of electron and vibrational spectroscopy with false colour imaging for the investigation of natural dyes in historical fabrics (15th–18th centuries)

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Insights into Della Robbia’s Terracotta Monument to Cardinal Federighi: Raw Materials and Technologies

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The case of Antonio Stradivari 1718 ex-San Lorenzo violin: History, restorations and conservation perspectives

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New insights into a polychrome Middle Kingdom palette applied to a wooden coffin: A multidisciplinary analytical approach

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Heat-reflective technology for cold-region roads: Mechanisms, materials, performance and life-cycle perspectives

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Diagnostic study of ancient Durium phonographic discs

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Approche non invasive des peintures murales du prieuré Saint-Jean-l’Évangéliste de Trizay (Charente-Maritime, France)

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Nonlinear Unmixing of Hyperspectral Datasets for the Study of Painted Works of Art

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Hyperspectral and XRF data fusion with machine learning for the identification of soot-contaminated pigments

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Fiber Optic Reflection Spectroscopy–Near-Infrared Characterization Study of Dry Pigments for Pictorial Retouching

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Non-invasive imaging and spectroscopy techniques for identifying historical pigments: a case study of Iranian manuscripts from the Qajar era

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A multispectral imaging approach integrated into the study of Late Antique textiles from Egypt

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Identification of Materials and Kirazuri Decorative Technique in Japanese Ukiyo-e Prints Using Non-Invasive Spectroscopic Tools

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A multi-analytical study of the palette of impressionist and post-impressionist Puerto Rican artists

Marc Vermeulen, Annette S. Ortiz Miranda, Diego Tamburini, Sol E. Rivera Delgado and Marc Walton

Herit Sci, 2022, 10
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Non-destructive pigment analysis of mural paintings from the Song and Jin Dynasties in Baode County

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Analytical Approach for the Study of Teotihuacan Mural Paintings from the Techinantitla Complex

José Luis Ruvalcaba-Sil, Luis Barba, Edgar Casanova-González, Alejandro Mitrani, Margarita Muñoz, Isaac Rangel-Chavez, Miguel Ángel Maynez-Rojas and Jaqueline Cañetas

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Terahertz Imaging Super-Resolution for Documental Heritage Diagnostics

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Multi-analytical non-destructive investigation of pictorial apparatuses of “Villa della Piscina” in Rome

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Machine learning tools for the classification of visible reflectance spectra of inorganic pigments historically used in wall paintings

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Application of imaging spectroscopy, SEM-EDS and DNA analysis for monitoring the preservation status of a manuscript of the first decade of 19th century

Vasiliki Kokla, Anthimia Batrinou, Spyros Papatheodorou, Dimitra Houhoula, George Panagiaris, Agamemnon Tselikas and Athanassios Karabotsos

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An Introduction and Recent Advances in the Analytical Study of Early Synthetic Dyes and Organic Pigments in Cultural Heritage

Diego Tamburini, Francesca Sabatini, Sanne Berbers, Maarten R. van Bommel and Ilaria Degano

Heritage, 2024, 7, 1969
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Urushi lacquer in three Asian artifacts from MAO: comparison between non-invasive and microinvasive analytical techniques

Shang-ying Liu, Luca Nodari, Patrizia Tomasin, Ilaria Bonaduce, Federico Paolino, Marta Boscolo Marchi, Moreno Meneghetti and Alfonso Zoleo

Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 2026, 348, 127103
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High-resolution, three-dimensional imaging of pigments and support in paper and textiles

Tana E. Villafana, John K. Delaney, Warren S. Warren and Martin C. Fischer

Journal of Cultural Heritage, 2016, 20, 583
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Investigations of a Gandharan stucco head of the Buddha at the Victoria and Albert Museum (IM.3-1931)

Giovanni Verri, Christian Luczanits, Victor Borges, Nick Barnard and John Clarke

techne, 2019, 48, 136
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Byzantine wall paintings from San Marco d’Alunzio, Sicily: non-invasive diagnostics and microanalytical investigation of pigments and plasters

Maria Francesca Alberghina, Maria Antonietta Zicarelli, Luciana Randazzo, Salvatore Schiavone, Mauro Francesco La Russa, Maria Labriola, Davide Rigaglia and Michela Ricca

Herit Sci, 2024, 12
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The Choir Books of San Giorgio Maggiore in Venice: Results of in Depth Non-Invasive Analyses

Paola Ricciardi, Anna Mazzinghi, Stefano Legnaioli, Chiara Ruberto and Lisa Castelli

Heritage, 2019, 2, 1684
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Exceptional Illuminated Manuscripts at the Gulbenkian Museum: The Colors of a Bible and Three Gospels Produced in the Armenian Diaspora

Hermine Grigoryan, Márcia Vieira, Paula Nabais, Rita Araújo, Maria J. Melo, Marta Manso, Maria Adelaide Miranda and Jorge Rodrigues

Heritage, 2023, 6, 3211
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The Book of Uí Mhaine: An Interdisciplinary Analysis of the Materiality of the Gaelic Manuscript Tradition

Veronica Biolcati, Meghan Wilson, Sarah Fiddyment, Richard Unitt, Cynthia Connelly Ryan, Anna Grace Hoffmann, John Gillis, Fenella France, Pádraig Ó Macháin and Daniela Iacopino

Heritage, 2023, 6, 5393
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The Palette of the Medieval North – a non-invasive investigation of the colourants of ten fragments from Medieval Swedish Manuscripts

Thea Winther, Jaakko Tahkokallio, Brenda Doherty, Sara Norrehed, Aldo Romani, Sara Ellis-Nilsson, Lucrezia Barchi, Claudia Caliri, Michela Botticelli, Fauzia Albertin, Eva Luna Ravan and Tuomas Heikkilä

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Identification of aloe and other dyes by means of SERS and HPLC-DAD-MS in the embroidery of a 15th century English folded almanac

Elisa Calà, Annalisa Salis, Gianluca Damonte, Stefania Signorello, Elma Brenner, Jacqui Carey and Maurizio Aceto

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Color and Light: A Hellenistic Terracotta Figurine of a Maenad from Myrina

Brigitte Bourgeois, Giovanni Verri and Violaine Jeammet

Heritage, 2023, 6, 3005
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Seventeenth-Century Barniz de Pasto Objects from the Collection of the Hispanic Society Museum & Library: Materiality and Technology

Elena Basso, Alicia McGeachy, Maria Goretti Mieites Alonso, Federica Pozzi, Roxanne Radpour and Monica Katz

Heritage, 2024, 7, 2620
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First evidence and characterisation of rare chrome-based colourants used on 19th-century textiles from Myanmar

Diego Tamburini, Joanne Dyer and Caroline Cartwright

Dyes and Pigments, 2023, 218, 111472
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The Use of UV-Visible Diffuse Reflectance Spectrophotometry for a Fast, Preliminary Authentication of Gemstones

Maurizio Aceto, Elisa Calà, Federica Gulino, Francesca Gullo, Maria Labate, Angelo Agostino and Marcello Picollo

Molecules, 2022, 27, 4716
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TriENA: a Portable, Hybrid Multimode Spectrometer Combining Diffuse Reflectance, LED-Induced Fluorescence, and Laser-Induced Breakdown Spectroscopy for a Holistic Analysis of Materials on Monuments and Objects of Archaeological Interest

Victor Piñon, Anastasia Giakoumaki, Michalis Andrianakis, Kostas Hatzigiannakis, Kristalia Melessanaki, Panagiotis Siozos, Demetrios Anglos and Paraskevi Pouli

Anal. Chem., 2025, 97, 27276
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Imaging spectroscopies to characterize a 13th century Japanese handscroll, The Miraculous Interventions of Jizō Bosatsu

Matthew L. Clarke, Francesca Gabrieli, Kathryn L. Rowberg, Andrew Hare, Jiro Ueda, Blythe McCarthy and John K. Delaney

Herit Sci, 2021, 9
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In search of Humboldt’s colors: materials and techniques of a 17th-century lacquered gourd from Colombia

Federica Pozzi, Elena Basso and Monica Katz

Herit Sci, 2020, 8
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Macroscopic reflectance spectral imaging to reveal multiple and complementary types of information for the non-invasive study of an entire polychromatic manuscript

Fabien Pottier, Anne Michelin, Salomon Kwimang, Christine Andraud, Fabrice Goubard and Bertrand Lavédrine

Journal of Cultural Heritage, 2019, 35, 1
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Fibre optic reflectance spectroscopy and multispectral imaging for the non-invasive investigation of Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD)

Diego Tamburini and Joanne Dyer

Dyes and Pigments, 2019, 162, 494
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Integrating liquid chromatography mass spectrometry into an analytical protocol for the identification of organic colorants in Japanese woodblock prints

Marc Vermeulen, Diego Tamburini, Emily M. K. Müller, Silvia A. Centeno, Elena Basso and Marco Leona

Sci Rep, 2020, 10
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Analytical methods for determination of anthraquinone dyes in historical textiles: A review

Mohammad Shahid, Julie Wertz, Ilaria Degano, Maurizio Aceto, Mohd Ibrahim Khan and Anita Quye

Analytica Chimica Acta, 2019, 1083, 58
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Exploring the transition from natural to synthetic dyes in the production of 19th-century Central Asian ikat textiles

Diego Tamburini, Eric Breitung, Chika Mori, Tomoko Kotajima, Matthew L. Clarke and Blythe McCarthy

Herit Sci, 2020, 8
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Reflectance Imaging Spectroscopy (RIS) for Operation Night Watch: Challenges and Achievements of Imaging Rembrandt’s Masterpiece in the Glass Chamber at the Rijksmuseum

Francesca Gabrieli, John K. Delaney, Robert G. Erdmann, Victor Gonzalez, Annelies van Loon, Patrick Smulders, Roy Berkeveld, Robert van Langh and Katrien Keune

Sensors, 2021, 21, 6855
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Revealing Artists’ Collaboration in a 14th Century Manuscript by Non-Invasive Analyses

Michela Perino, Lucilla Pronti, Lucrezia Gaia Di Forti, Martina Romani, Cecilia Taverna, Lola Massolo, Francesca Manzari, Mariangela Cestelli-Guidi, Alessandro Nucara and Anna Candida Felici

Minerals, 2021, 11, 771
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Narrating codex history: the case study of a psalter-hymnal from Alcobaça Monastery, Portugal

Conceição Casanova, Samuel Arrojado Rodrigues, Catarina Fernandes Barreira, Catarina Miguel, Teresa Quilhó and Ana Sofia Tourais

Journal of Medieval Iberian Studies, 2022, 14, 127
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Analytical chemistry approach in cultural heritage: the case of Vincenzo Pasqualoni's wall paintings in S. Nicola in Carcere (Rome)

M. Romani, G. Capobianco, L. Pronti, F. Colao, C. Seccaroni, A. Puiu, A.C. Felici, G. Verona-Rinati, M. Cestelli-Guidi, A. Tognacci, M. Vendittelli, M. Mangano, A. Acconci, G. Bonifazi, S. Serranti, M. Marinelli and R. Fantoni

Microchemical Journal, 2020, 156, 104920
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An investigation of Bellini’s Transfiguration in the Capodimonte museum by means of XRF and visible reflectance hyperspectral imaging: Bellini’s handling of materials in the head and figure of the transfigured Christ

Laurence de Viguerie, Helen Glanville, Marie Radepont, Angela Cerasuolo, Alessandra Rullo, Claudio Seccaroni and Philippe Walter

Herit Sci, 2023, 11
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Crafting color at El Tajín: Technological study of mural pigments of the Building of the Columns

Carlos López-Puértolas, Arturo Pascual-Soto and José Luis Ruvalcaba-Sil

Archaeol Anthropol Sci, 2026, 18
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The extraordinary universe of Peter Apian: technical investigation of five copies of a 16th-century astronomical book

Flavia Fiorillo, Edward Cheese, Sara Öberg Strådal and Suzanne Reynolds

Herit Sci, 2024, 12
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Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience

B. Brunetti, C. Miliani, F. Rosi, B. Doherty, L. Monico, A. Romani and A. Sgamellotti

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Preliminary non-invasive study of Carolingian pigments in the churches of St. John at Müstair and St. Benedict at Malles

G. Cavallo, M. Aceto, R. Emmenegger, A.T. Keller, R. Lenz, L. Villa, S. Wörz and P. Cassitti

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Critical Analysis of the Materials Used by the Venetian Artist Guido Cadorin (1892–1976) during the Mid-20th Century, Using a Multi-Analytical Approach

Erik Guillermo Morales Toledo, Teodora Raicu, Laura Falchi, Elisabetta Barisoni, Matteo Piccolo and Francesca Caterina Izzo

Heritage, 2023, 6, 600
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Interpreting technical evidence from spectral imaging of paintings by Édouard Manet in the Courtauld Gallery

Silvia Rita Amato, Aviva Burnstock, Maureen Cross, Koen Janssens, Francesca Rosi, Laura Cartechini, Raffaella Fontana, Alice Dal Fovo, Marco Paolantoni, Chiara Grazia, Aldo Romani, Anne Michelin, Christine Andraud, Aurélie Tournié and Joris Dik

X-Ray Spectrometry, 2019, 48, 282
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Multi-Technique Characterization of Antonio Basoli’s Picturesque Views of Bologna: An Integrated Approach to 19th-Century Graphic Heritage Conservation

Monia Vadrucci, Francesca Incoronato, Carlotta Letizia Zanasi, Camilla Roversi Monaco, Massimo Chiari, Claudia Mazzuca, Stefano Lecci, Costanza Cucci, Marcello Picollo and Lorenzo Stefani

Heritage, 2026, 9, 44
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Pigments—the palette of organic colourants in wall paintings

Maurizio Aceto

Archaeol Anthropol Sci, 2021, 13
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A holistic multimodal approach to the non-invasive analysis of watercolour paintings

Sotiria Kogou, Andrei Lucian, Sonia Bellesia, Lucia Burgio, Kate Bailey, Charlotte Brooks and Haida Liang

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Color, collation, and curious creatures: a technical study of 15th-century block books at The Morgan Library & Museum

Federica Pozzi, Elena Basso and Reba Snyder

Eur. Phys. J. Plus, 2021, 136
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Compositional and Micro-Morphological Characterisation of Red Colourants in Archaeological Textiles from Pharaonic Egypt

Diego Tamburini, Joanne Dyer, Patrizia Davit, Maurizio Aceto, Valentina Turina, Matilde Borla, Marie Vandenbeusch and Monica Gulmini

Molecules, 2019, 24, 3761
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Red glass in Kunckel's Ars Vitraria Experimentalis: The importance of temperature

Márcia Vilarigues, Andreia Ruivo, Thijs Hagendijk, Mario Bandiera, Mathilda Coutinho, Luis C. Alves and Sven Dupré

Int J of Appl Glass Sci, 2023, 14, 201
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Bibliometric analysis of knowledge structures and evolution in global painting art from 1994 to 2024

Jinyu Lan and Chengxi Yan

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Mapping Bronze Disease Onset by Multispectral Reflectography

Daniela Porcu, Silvia Innocenti, Jana Striova, Emiliano Carretti and Raffaella Fontana

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Direct microextraction for red lakes detection in painting layers by Raman spectroscopy

Silvia Innocenti, Marilena Ricci, Giancarlo Lanterna, Raffaella Fontana, Jana Striova and Maurizio Becucci

Eur. Phys. J. Plus, 2021, 136
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Joined Spatial and Spectral Segmentation of Hyperspectral Datasets on Historical Art Objects

Lingxi Liu, Aurore Malmert, Emeline Pouyet, Silvia Mirri and Giovanni Delnevo

IEEE Access, 2025, 13, 108266
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Crystalline materials in art and conservation: verdigris pigments – what we know and what we still don’t know

Sebastian Bette, Gerhard Eggert and Robert E. Dinnebier

Physical Sciences Reviews, 2024, 9, 2623
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Van Gogh’s Irises and Roses: the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments

Silvia A. Centeno, Charlotte Hale, Federico Carò, Anna Cesaratto, Nobuko Shibayama, John Delaney, Kathryn Dooley, Geert van der Snickt, Koen Janssens and Susan Alyson Stein

Herit Sci, 2017, 5
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Advances in Automated Pigment Mapping for 15th-Century Manuscript Illuminations Using 1-D Convolutional Neural Networks and Hyperspectral Reflectance Image Cubes

Roxanne Radpour, Tania Kleynhans, Michelle Facini, Federica Pozzi, Matthew Westerby and John K. Delaney

Applied Sciences, 2024, 14, 6857
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Comparing the effectiveness of hyperspectral imaging and Raman spectroscopy: a case study on Armenian manuscripts

Ian J. Maybury, David Howell, Melissa Terras and Heather Viles

Herit Sci, 2018, 6
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Towards the non-destructive analysis of multilayered samples: A novel XRF-VNIR-SWIR hyperspectral imaging system combined with multiblock data processing

Emilio Catelli, Zelan Li, Giorgia Sciutto, Paolo Oliveri, Silvia Prati, Michele Occhipinti, Alessandro Tocchio, Roberto Alberti, Tommaso Frizzi, Cristina Malegori and Rocco Mazzeo

Analytica Chimica Acta, 2023, 1239, 340710
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Colours and pigments in late ukiyo-e art works: A preliminary non-invasive study of Japanese woodblock prints to interpret hyperspectral images using in-situ point-by-point diffuse reflectance spectroscopy

Josefina Pérez-Arantegui, David Rupérez, David Almazán and Nerea Díez-de-Pinos

Microchemical Journal, 2018, 139, 94
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In search of the lost polychromy of English medieval alabaster panels in the Southwest of France

Aurelie Mounier, Markus Schlicht, Maud Mulliez, Romain Pacanowski, Antoine Lucat and Pascal Mora

Color Research & Application, 2020, 45, 427
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What Lies Beyond Sight? Applications of Ultraportable Hyperspectral Imaging (VIS-NIR) for Archaeological Fieldwork

Claudia Sciuto, Federico Cantini, Rémy Chapoulie, Corentin Cou, Hortense De la Codre, Gabriele Gattiglia, Xavier Granier, Aurélie Mounier, Vincenzo Palleschi, Germana Sorrentino and Simona Raneri

Journal of Field Archaeology, 2022, 47, 522
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“Codex 4D” Project: Interdisciplinary Investigations on Materials and Colors of De Balneis Puteolanis (Angelica Library, Rome, Ms. 1474)

Eva Pietroni, Alessandra Botteon, David Buti, Alessandra Chirivì, Chiara Colombo, Claudia Conti, Anna Letizia Di Carlo, Donata Magrini, Fulvio Mercuri, Noemi Orazi and Marco Realini

Heritage, 2024, 7, 2755
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Living in the shadow of Vesuvius: Analysis of the wall paintings of Pollena Trocchia’s Roman buildings across historical eruptions

Sabrina Pagano, Chiara Germinario, Alberto De Bonis, Mariano Mercurio, Girolamo Ferdinando De Simone, Rebecca Piovesan, Francesca d’Aniello and Celestino Grifa

Construction and Building Materials, 2024, 411, 134441
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Pre-processing methods for automatic pigment recognition through Vis–NIR reflectance spectra

Jacopo Melada, Letizia Bonizzoni, Marco Gargano, Emanuela Grifoni and Nicola Ludwig

Eur. Phys. J. Plus, 2022, 137
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Cartas Ejecutorias de Hidalguía (executory certificates of nobility): a survey in materials analysis, legal, and aesthetic contexts—two case studies

Verónica Mercado-Oliveras and Jocelyn Alcántara-García

Herit Sci, 2023, 11
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The Jacopo Tintoretto “Wedding Feast at Cana”: A non-invasive and multi-technique analytical approach for studying painting materials

F.C. Agnoletto, L. de Ferri, D. Bersani and G. Pojana

Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 2020, 229, 117954
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Revealing the colours of ukiyo-e prints by short wave infrared range hyperspectral imaging (SWIR)

Carole Biron, Aurélie Mounier, Gwénaëlle Le Bourdon, Laurent Servant, Rémy Chapoulie and Floréal Daniel

Microchemical Journal, 2020, 155, 104782
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An analytical study of the Huexotzinco Codex using X-ray fluorescence, fiber optic reflectance spectroscopy, and portable Fourier-transform infrared spectroscopy

Tana Elizabeth Villafana, Mary Elizabeth Haude and Amanda Satorius

Herit Sci, 2021, 9
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Magic Lantern Glass Slides Materials and Techniques: The First Multi-Analytical Study

Beatriz Rodrigues, Ângela Santos, Maria J. Melo, Vanessa Otero and Márcia Vilarigues

Heritage, 2019, 2, 2513
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The illuminated manuscript Corale 43 and its attribution to Beato Angelico: Non-invasive analysis by FORS, XRF and hyperspectral imaging techniques

Costanza Cucci, Susanna Bracci, Andrea Casini, Silvia Innocenti, Marcello Picollo, Lorenzo Stefani, Ida Giovanna Rao and Magnolia Scudieri

Microchemical Journal, 2018, 138, 45
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Historical formulations of lake pigments and dyes derived from lac: A study of compositional variability

Sanne V.J. Berbers, Diego Tamburini, Maarten R. van Bommel and Joanne Dyer

Dyes and Pigments, 2019, 170, 107579
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A methodological approach to study the stability of selected watercolours for painting reintegration, through reflectance spectrophotometry, Fourier transform infrared spectroscopy and hyperspectral imaging

Claudia Pelosi, Giuseppe Capobianco, Giorgia Agresti, Giuseppe Bonifazi, Fabio Morresi, Sara Rossi, Ulderico Santamaria and Silvia Serranti

Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 2018, 198, 92
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Multilayer Technology of Decorated Plasters from the domus of Marcus Vipsanus Primigenius at Abellinum (Campania Region, Southern Italy): An Analytical Approach

Sabrina Pagano, Chiara Germinario, Maria Francesca Alberghina, Marina Covolan, Mariano Mercurio, Daniela Musmeci, Rebecca Piovesan, Alfonso Santoriello, Salvatore Schiavone and Celestino Grifa

Minerals, 2022, 12, 1487
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Gold nanoparticles in painted miniatures on ivory: Non-invasive evidence and characterisation

Zuzana Širillová, Janka Hradilová, Michal Pech, Silvie Švarcová, Petr Bezdička, Vilém Neděla and David Hradil

Dyes and Pigments, 2023, 210, 111015
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Pigmented Remedies: The Pharmacy of Colour in Early Modern Europe

Julia Nurse

Canadian Bulletin of Medical History, 2021, 38, S93
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Physical and Chemical Characterisation of the Pigments of a 17th-Century Mural Painting in the Spanish Caribbean

Virginia Flores-Sasso, Gloria Pérez, Letzai Ruiz-Valero, Sagrario Martínez-Ramírez, Ana Guerrero and Esteban Prieto-Vicioso

Materials, 2021, 14, 6866
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Optical devices provide unprecedented insights into the laser cleaning of calcium oxalate layers

J. Striova, R. Fontana, M. Barucci, A. Felici, E. Marconi, E. Pampaloni, M. Raffaelli and C. Riminesi

Microchemical Journal, 2016, 124, 331
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New perspectives in the non-invasive, in situ identification of painting materials: The advanced MWIR hyperspectral imaging

Alessia Daveri, Simone Paziani, Mathiew Marmion, Harri Harju, Andreas Vidman, Michela Azzarelli and Manuela Vagnini

TrAC Trends in Analytical Chemistry, 2018, 98, 143
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Zersetzung bringt Neues: Korrosionsprodukte im Museum

Sebastian Bette, Robert E. Dinnebier and Gerhard Eggert

Nachr Chem, 2017, 65, 1185
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Export Chinese blue-and-white porcelain: compositional analysis and sourcing using non-invasive portable XRF and reflectance spectroscopy

Christian Fischer and Ellen Hsieh

Journal of Archaeological Science, 2017, 80, 14
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On the Hierarchical Use of Colourants in a 15th Century Book of Hours

Angelo Agostino, Eleonora Pellizzi, Maurizio Aceto, Simonetta Castronovo, Giovanna Saroni and Monica Gulmini

Heritage, 2021, 4, 1786
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Multiscale characterization of shellfish purple and other organic colorants in 20th-century traditional enredos from Oaxaca, Mexico

Marc Vermeulen, Diego Tamburini, Alicia C. McGeachy, Rebecca D. Meyers and Marc S. Walton

Dyes and Pigments, 2022, 206, 110663
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Application of Uniform Manifold Approximation and Projection (UMAP) in spectral imaging of artworks

Marc Vermeulen, Kate Smith, Katherine Eremin, Georgina Rayner and Marc Walton

Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 2021, 252, 119547
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Non-invasive analysis of a 15th century illuminated manuscript fragment: point-based vs imaging spectroscopy

Stijn Legrand, Paola Ricciardi, Luca Nodari and Koen Janssens

Microchemical Journal, 2018, 138, 162
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A new miniaturised short-wave infrared (SWIR) spectrometer for on-site cultural heritage investigations

Emilio Catelli, Giorgia Sciutto, Silvia Prati, Marco Valente Chavez Lozano, Lucrezia Gatti, Federico Lugli, Sara Silvestrini, Stefano Benazzi, Emiliano Genorini and Rocco Mazzeo

Talanta, 2020, 218, 121112
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Macro X‐ray fluorescence scanning, multi‐ and hyperspectral imaging study of multiple layers of paintings on paneled vault in the church of Le Quillio (France)

Kilian Laclavetine, David Giovannacci, Marie Radepont, Anne Michelin, Aurélie Tournié, Oulfa Belhadj, Christine Andraud and Witold Nowik

X-Ray Spectrometry, 2021, 50, 358
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One hue to rule them all: Technological uniformity of red ochre pigments in Teotihuacan mural paintings

Carlos López-Puértolas, Edgar Casanova-González, Alejandro Mitrani and José Luis Ruvalcaba-Sil

Journal of Archaeological Science: Reports, 2025, 68, 105469
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PLS-DA and data fusion of visible Reflectance, XRF and FTIR spectroscopy in the classification of mixed historical pigments

Ana Luísa de Queiroz Baddini, Jorge Luiz Victor de Paula Santos, Raquel Reiner Tavares, Leticia Silva de Paula, Hiram da Costa Araújo Filho and Renato P. Freitas

Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 2022, 265, 120384
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Creation and reference characterization of Edo period Japanese woodblock printing ink colorant samples using multimodal imaging and reflectance spectroscopy

Tana Villafana and Gwenanne Edwards

Herit Sci, 2019, 7
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An innovative combination of non-invasive UV–Visible-FORS, XRD and XRF techniques to study Roman wall paintings from Seville, Spain

Isabel Garofano, Jose Luis Perez-Rodriguez, Maria Dolores Robador and Adrian Duran

Journal of Cultural Heritage, 2016, 22, 1028
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A blue can conceal another! Noninvasive multispectroscopic analyses of mixtures of indigo and Prussian blue

Carole Biron, Aurélie Mounier, Gwénaëlle Le Bourdon, Laurent Servant, Rémy Chapoulie and Floréal Daniel

Color Research & Application, 2020, 45, 262
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Polychromy in the Atacama Desert during the Late Intermediate Period (1000–1450 AD): pigments characterization by XRF and VNIR hyperspectral images

Marcela Sepúlveda, Benjamín Ballester, Gloria Cabello, Sebastián Gutiérrez and Philippe Walter

Archaeol Anthropol Sci, 2023, 15
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Ephemeral Orchil in the Lady and the Unicorn Tapestry: Recipe, Experimentation, and Characterisation

Pauline Claisse, Charlotte Marembert, Francesca Galluzzi, Rémy Chapoulie, Mohamed Dallel and Aurélie Mounier

Heritage, 2024, 7, 3455
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The evolution of the materials used in the yun technique for the decoration of Burmese objects: lacquer, binding media and pigments

Diego Tamburini, Verena Kotonski, Anna Lluveras-Tenorio, Maria Perla Colombini and Alexandra Green

Herit Sci, 2019, 7
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Colours of the « images of the floating world ». non-invasive analyses of Japanese ukiyo-e woodblock prints (18th and 19th centuries) and new contributions to the insight of oriental materials

Carole Biron, Aurélie Mounier, Josefina Pérez Arantegui, Gwénaëlle Le Bourdon, Laurent Servant, Rémy Chapoulie, Clodoaldo Roldán, David Almazán, Nerea Díez-de-Pinos and Floréal Daniel

Microchemical Journal, 2020, 152, 104374
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Non-invasive characterization of colorants by portable diffuse reflectance infrared Fourier transform (DRIFT) spectroscopy and chemometrics

Marcello Manfredi, Elettra Barberis, Maurizio Aceto and Emilio Marengo

Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 2017, 181, 171
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Dye Identification in Mounting Textiles of Traditional Korean Paintings from the Late Joseon Dynasty

Diego Tamburini, Meejung Kim-Marandet and Sang-ah Kim

Heritage, 2022, 6, 44
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XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique

Laurence de Viguerie, Sophie Rochut, Matthias Alfeld, Philippe Walter, Sophie Astier, Valérie Gontero and Florence Boulc’h

Herit Sci, 2018, 6
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Seeing red: towards an improved protocol for the identification of madder- and cochineal-based pigments by fiber optics reflectance spectroscopy (FORS)

Beatriz Fonseca, Catherine Schmidt Patterson, Monica Ganio, Douglas MacLennan and Karen Trentelman

Herit Sci, 2019, 7
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Application of hyperspectral imaging technology to digitally protect murals in the Qutan temple

Zhenhua Gao, Mingyi Du, Ning Cao, Miaole Hou, Wanfu Wang and Shuqiang Lyu

Herit Sci, 2023, 11
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The practice of writing inside an Egyptian monastic settlement: preliminary material characterisation of the inks used on Coptic manuscripts from the Monastery of Apa Apollo at Bawit

Tea Ghigo and María Jesús Albarrán Martínez

Herit Sci, 2021, 9
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Nonlinear Unmixing of Hyperspectral Datasets for the Study of Painted Works of Art

Neda Rohani, Emeline Pouyet, Marc Walton, Oliver Cossairt and Aggelos K. Katsaggelos

Angew Chem Int Ed, 2018, 57, 10910
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Enriching the knowledge of Ostia Antica painted fragments: a multi-methodological approach

Susanna Bracci, Emma Cantisani, Claudia Conti, Donata Magrini, Silvia Vettori, Paolo Tomassini and Martina Marano

Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 2022, 265, 120260
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Non-invasive study of 16th century Northern European chiaroscuro woodcuts: First insights

K. Laclavetine, C. Boust, L. Clivet, A.S. Le Hô, E. Laval, R. Mathis, M. Menu, E. Pagliano, X. Salmon, V. Selbach, C. Vrand and S. Lepape

Microchemical Journal, 2019, 144, 419
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A comprehensive analytical approach for monitoring the physico-chemical changes of the paintings after exposure to environmental risks

Medhat Ibrahim, Yousry M. Issa, Gomaa Abdel-Maksoud and Mina Magdy

Spectroscopy Letters, 2021, 54, 14
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Colors and dyes of archaeological textiles from Tarapacá in the Atacama Desert (South Central Andes)

Marcela Sepúlveda, Cecilia Lemp Urzúa, José Cárcamo-Vega, Edgar Casanova-Gónzalez, Sebastián Gutiérrez, Miguel Ángel Maynez-Rojas, Benjamín Ballester and José Luis Ruvalcaba-Sil

Herit Sci, 2021, 9
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Changes in the production materials of Burmese textiles in the nineteenth century—dyes, mordants and fibres of Karen garments from the British Museum’s collection

Diego Tamburini, Joanne Dyer, Caroline Cartwright and Alexandra Green

Herit Sci, 2023, 11
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A MULTI-ANALYTICAL INVESTIGATION OF AN IRANIAN LITHOGRAPHY BOOK FROM THE QAJAR PERIOD

Alireza KOOCHAKZAEI and Mahsa SAIDI MEHRABAD

Int J Conserv Sci, 2024, 15, 1465
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Gel microextraction from hydrophilic paint layers: A comparison between Agar-gel and Nanorestore Gel® HWR for spectroscopic identification of madder

Adele Bosi, Alessandro Ciccola, Ilaria Serafini, Greta Peruzzi, Valentina Nigro, Paolo Postorino, Roberta Curini and Gabriele Favero

Microchemical Journal, 2023, 187, 108447
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Multi-analytical investigation into the materials and techniques of paintings on Northern Wei Dynasty (398–494 CE) coffin planks excavated from Shanxi, China

Zhiyong Guo, Shiqi Cai, Zhanyun Zhu, Yaling Qin, Xiuya Yao, Jia Wang, Wenxiao Jin, Meifeng Shi, Lanfang Li, Junchang Yang and Liu Liu

Humanit Soc Sci Commun, 2023, 10
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Evaluation of the condition of a Mamluk-illuminated paper manuscript at Al-Azhar Library, Egypt

Gomaa Abdel-Maksoud, Mostafa Abdel-Hamied and Ahmed A.M. Abdelhafez

PRT, 2023, 52, 49
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Terahertz Investigation of Cultural Heritage Synthetic Materials: A Case Study of Copper Silicate Pigments

Candida Moffa, Anna Candida Felici and Massimo Petrarca

Minerals, 2025, 15, 490
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An archaeometric study of the Monument to Augustus of Saint‐Bertrand‐de‐Comminges: marble provenance and in situ pigment analysis

Isabelle Pianet, Adriana Iuliano, Zoe Fucito, Francesca Galluzzi, Anna Gutiérrez Garcia‐M and Marie‐Claire Savin

Archaeometry, 2025, 67, 1469
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Odilon Redon’s noir drawings: characterization of materials and methods using noninvasive imaging and spectroscopies

Nathan S. Daly, Michelle Sullivan, Lynn Lee, John K. Delaney and Karen Trentelman

Herit Sci, 2019, 7
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Integrated analytical approach for the characterisation of dyed wool fibres in the earliest Moroccan carpet

Bensalem El Jeddaoui, Imane Fikri, Yacine Oubelkacem, Abdelmajid El Bakkali, Taibi Lamhasni, Ali Amechrouq, Mustapha Haddad, Patrizia Tomasin, Luca Nodari, Beatrice Campanella, Stefano Legnaioli, Francesco Poggialini, Marina Bicchieri and Saadia Ait Lyazidi

Eur. Phys. J. Plus, 2025, 140
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Rediscovering the colours of Elias Brenner’s pigment nomenclature from 1680

Cecilia Rönnerstam, Flavia Fiorillo, Tom Sandström and Magnus Mårtensson

npj Herit. Sci., 2025, 13
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Chemical characterization of black and red inks inscribed on ancient Egyptian papyri: The Tebtunis temple library

Thomas Christiansen, David Buti, Kim Nicole Dalby, Poul Erik Lindelof, Kim Ryholt and Anna Vila

Journal of Archaeological Science: Reports, 2017, 14, 208
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The Iridescent Painting Palette of Michelino da Besozzo: First Results of Non-Invasive Diagnostic Analyses

Anna Delle Foglie and Anna Candida Felici

Heritage, 2024, 7, 3013
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Spectroscopic Techniques for Identifying Pigments in Polychrome Cultural Relics

Mihaela Liu, Zhigao Wang and Xinyou Liu

Coatings, 2024, 15, 20
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Spectroscopic and mass spectrometry-based in-situ investigation of a 17th-century handwritten academic diploma on illuminated parchment

Elena C.L. Rigante, Cosima D. Calvano, Alessandro Monno, Martina Moroni, Gioacchino Tempesta and Tommaso R.I. Cataldi

Microchemical Journal, 2023, 190, 108590
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Microbial contaminated paper substrate: UV–Vis–NIR spectra of model systems

Lukáš Gál, Patrícia Paračková, Barbora Kaliňáková, Simona Šimonová, Milena Reháková and Michal Čeppan

Chem. Pap., 2024, 78, 2603
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Easy-to-Use Colorimetric Cyanine Probe for the Detection of Cu2+ in Wilson’s Disease

Yibing Shi, Roumin Wang, Wei Yuan, Qingyun Liu, Mei Shi, Wei Feng, Zhiying Wu, Ke Hu and Fuyou Li

ACS Appl. Mater. Interfaces, 2018, 10, 20377
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Non-Invasive Use of Imaging and Portable Spectrometers for On-Site Pigment Identification in Contemporary Watercolors from the Arxiu Valencià del Disseny

Álvaro Solbes-García, Mirco Ramacciotti, Ester Alba Pagán, Gianni Gallello, María Luisa Vázquez de Ágredos Pascual and Ángel Morales Rubio

Heritage, 2025, 8, 304
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Red and blue colours on 18th–19th century Japanese woodblock prints: In situ analyses by spectrofluorimetry and complementary non-invasive spectroscopic methods

A. Mounier, G. Le Bourdon, C. Aupetit, S. Lazare, C. Biron, J. Pérez-Arantegui, D. Almazán, J. Aramendia, N. Prieto-Taboada, S. Fdez-Ortiz de Vallejuelo and F. Daniel

Microchemical Journal, 2018, 140, 129
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Multi-technical approach for the characterization of polychrome decorative surfaces at Spanish Mission Churches in Nueva Vizcaya (Chihuahua, Mexico)

Karla Muñoz-Alcocer, Laura Fuster-López, Ma. Luisa Vázquez de Ágredos-Pascual, Francesca Caterina Izzo, Marcello Picollo, Giovanni Bartolozzi, Jose Humberto Vega, Diana Maldonado Escobar, Alejandro Mitrani, Miguel Ángel Maynez, Edgar Casanova-González, Isaac Rangel-Chávez and Jose Luis Ruvalcaba-Sil

STAR: Science & Technology of Archaeological Research, 2019, 5, 287
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Applying Gel-Supported Liquid Extraction to Tutankhamun’s Textiles for the Identification of Ancient Colorants: A Case Study

Greta Peruzzi, Alessandro Ciccola, Adele Bosi, Ilaria Serafini, Martina Negozio, Nagmeldeen Morshed Hamza, Claudia Moricca, Laura Sadori, Gabriele Favero, Valentina Nigro, Paolo Postorino and Roberta Curini

Gels, 2023, 9, 514
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Hyperspectral identification of mineral pigments in Thangka paintings for cultural heritage conservation

Jiahui Liu, Tingting Li, Ziru Yu, Shuqiang Lyu, Qing Fu and Xiangyang Yu

npj Herit. Sci., 2025, 13
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New Evidence of Traditional Japanese Dyeing Techniques: A Spectroscopic Investigation

Ludovico Geminiani, Francesco Paolo Campione, Cristina Corti, Moira Luraschi, Sandro Recchia and Laura Rampazzi

Heritage, 2024, 7, 3610
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GENERAL OVERVIEW OF THE MESOAMERICAN CODICES OF THE BORGIA GROUP

M. Stadnik

BKNUH, 2022, 43
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Portable Vis-NIR-FORS instrumentation for restoration products detection: Statistical techniques and clustering

Nicoletta Odisio, Matteo Calabrese, Ambra Idone, Nicole Seris, Lorenzo Appolonia and Jean Marc Christille

Eur. Phys. J. Plus, 2019, 134
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Material Characterization of Mayapán’s Effigy Censers’ Sherds

Miguel Pérez, Oscar G. de Lucio, Alejandro Mitrani, Carlos Peraza Lope, Wilberth Cruz Alvarado and Soledad Ortiz Ruiz

Minerals, 2023, 13, 974
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Spectroscopic Analysis of Colorants Used for bachiru Carving Technique Found in the Shosoin Treasures

Rikiya Nakamura and Masakazu Naruse

Studies in Conservation, 2018, 63, 267
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Analytical investigations on the Coronation Gospels manuscript

Maurizio Aceto, Angelo Agostino, Gaia Fenoglio, Ambra Idone, Fabrizio Crivello, Martina Griesser, Franz Kirchweger, Katharina Uhlir and Patricia Roger Puyo

Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 2017, 171, 213
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Application of derivative spectrophotometry in textiles: a review

Ali Shams‐Nateri and Anis Zeydabadinezhad

Coloration Technology, 2026, 142, 5
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Non-destructive and non-invasive methodology for the in situ identification of Mexican yellow lake pigments

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Synchronized Hardware-Registered VIS-NIR Imaging Spectroscopy and 3D Sensing on a Fresco by Botticelli

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Early Islamic pigments at Nishapur, north-eastern Iran: studies on the painted fragments preserved at The Metropolitan Museum of Art

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Multi-Analytical Characterization and Radiocarbon Dating of a Roman Egyptian Mummy Portrait

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The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades

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Multi-Analytical Techniques for the Study of Burial Clothes of Polish King Sigismund III Vasa (1566–1633) and His Wife Constance Habsburg (1588–1631)

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Reviving degraded colors of yellow flowers in 17th century still life paintings with macro- and microscale chemical imaging

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Use of standard analytical tools to detect small amounts of smalt in the presence of ultramarine as observed in 15th-century Venetian illuminated manuscripts

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Brightly Colored to Stay in the Dark. Revealing of the Polychromy of the Lot Sarcophagus in the Catacomb of San Sebastiano in Rome

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Beyond the youth smile: Investigating techniques and materials in Caroto's paintings by analytical single-point analyses and IR reflectography in full-field

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Hyperspectral Imaging as Powerful Technique for Investigating the Stability of Painting Samples

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Mythic dyes or mythic colour? New insight into the use of purple dyes on codices

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Studying Saraha: Technical and Multi-Analytical Investigation of the Painting Materials and Techniques in an 18th Century Tibetan Thangka

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S.S. Annunziata Church (L’Aquila, Italy) unveiled by non- and micro-destructive testing techniques

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Connecting palettes — An integrated spectroscopic analysis and UMAP visualisation of Wu Guanzhong's paint palette and his painting

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Acquisition of High Spectral Resolution Diffuse Reflectance Image Cubes (350–2500 nm) from Archaeological Wall Paintings and Other Immovable Heritage Using a Field-Deployable Spatial Scanning Reflectance Spectrometry Hyperspectral System

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Botticelli-style tempera portrait on tile: Imaging and specific on-site spectroscopic analysis and cleaning examination

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Illuminating Rembrandt’s Chiaroscuro in The Night Watch: the painting process of Van Ruytenburch’s costume

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Preliminary photographs and improved positives: discovering the New York Public Library’s Arctic Exploration album

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Vitruvius-like synthesis of Egyptian Blue using Roman coins as copper source

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Lorenzo Lotto's painting materials: an integrated diagnostic approach

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On the identification of folium by SERS: from crude extracts to illuminated codices

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Connecting Stories: Investigations of a Seventeenth-century Mercator Hand-painted Map

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Characterization of Seals from the Santi Quattro Coronati complex (Rome, Italy) with a focus on FTIR and chemometric analysis

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On the use of EDXRF and UV–Vis FORS to unveil the production of two illuminated manuscripts from the fifteenth century portuguese royal court

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Mural paintings of the cubicle “dei fornai” in Domitilla catacombs in Rome: a study via non-invasive techniques

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Developing a systematic approach to determine the sequence of impressions of Japanese woodblock prints: the case of Hokusai’s ‘Red Fuji’

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Investigating the materials used in eighteenth-century tapestries from the three French Royal Manufactories: inputs of hyperspectral approaches

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Stories of the Life of Saint George : Materials and Techniques from a Barbelli Mural Painting

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The use of in situ non-invasive techniques as powerful tools in the investigation of eighteenth century Chinese wallpapers from the National Museum of Ancient Art—Lisbon

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Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique

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Analytical evidences of the use of iron-gall ink as a pigment on miniature paintings

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Determination of Peach Gum in Ancient Chinese Paintings by Biotin–Streptavidin-Enzyme-Linked Immunosorbent Assay

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Painting the Past in the 19th Century: Materials, Methods, and Perspectives in Watercolour Replicas

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Non-invasive study of the dyes and pigments in the Chinese woodblock New Year paintings

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Characterization and Digital Restauration of XIV-XV Centuries Written Parchments by Means of Nondestructive Techniques: Three Case Studies

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The northern-Italy Renaissance in a panel by Defendente Ferrari: A complete study with a multi-analytical investigation

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Multi-Analytical and Non-Invasive Approach for Characterising Blackened Areas of Originally Blue Paints

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Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt

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Materials characterization and conservation assessment of the XIVᵉ-century Marinid parchment from the Al-Qarawiyyin library in Fez

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Noninvasive identification of carbon-based black pigments with pump-probe microscopy

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Materials and techniques used for the “Vienna Moamin”: multianalytical investigation of a book about hunting with falcons from the thirteenth century

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A multianalytical approach for the study of relief polychrome glazed ceramics (France, 19th century)

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Non-invasive spectroscopic analyses of M. E. Chevreul’s colour plates: shedding new light on 19th century colour theory representation

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Folium in Persian and Islamic Manuscripts (15th–19th Centuries): Historical Significance and Analytical Study

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Pigments on Roman Wall Painting and Stucco Fragments from the Monte d’Oro Area (Rome): A Multi-Technique Approach

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Spectral Mapping Techniques for the Stratigraphic and Compositional Characterisation of a 16th-Century Painting

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A multi-scalar investigation of the colouring materials used in textile wrappings of Egyptian votive animal mummies

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Analytical Study of Polychrome Clay Sculptures in the Five-Dragon Taoist Palace of Wudang, China

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Inside the Scriptorium: Non-Invasive In Situ Identification of Dyes in Illuminated Manuscripts by Microspectrofluorimetry and Multivariate Analysis: The Crescenzago Choir Books (End 15th Century) as a Case Study

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Consistent Characterization of Color Degradation Due to Artificial Aging Procedures at Popular Pigments of Byzantine Iconography

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The Non-Invasive Spectroscopic Study of a Parchment Object from the National Central Library of Florence: The Hebrew Scroll

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A Roman Egyptian Painting Workshop: Technical Investigation of the Portraits from Tebtunis, Egypt

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Application of spectroscopy technique in cultural heritage: systematic review and bibliometric analysis

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Non-invasive in situ analytical techniques working in synergy: The application on graduals held in the Certosa di Pavia

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The Technology of Copper-Based Red Glass Sectilia from the 2nd Century AD Lucius Verus Villa in Rome

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Dyestuff Identification and Significance of Interleaves from Moroccan Manuscripts ofDalā’il al-Khayrāt

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Deeper insights into the photoluminescence properties and (photo)chemical reactivity of cadmium red (CdS1−xSex) paints in renowned twentieth century paintings by state-of-the-art investigations at multiple length scales

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Bordering on Asian Paintings: Dye Analysis of Textile Borders and Mount Elements to Complement Research on Asian Pictorial Art

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Tutankhamun’s Polychrome Wooden Shawabtis: Preliminary Investigation for Pigments and Gilding Characterization and Indirect Dating of Previous Restorations by the Combined Use of Imaging and Spectroscopic Techniques

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New evidence of non-traditional Egyptian blue manufacture in the 6th century Ashburnham Pentateuch

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Investigation of the Optical, Physical, and Chemical Interactions between Diammonium Hydrogen Phosphate (DAP) and Pigments

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Nanotechnology in Roman Opaque Red Glass from the 2nd Century AD. Archaeometric Investigation in Red Sectilia from the Decoration of the Lucius Verus Villa in Rome

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Picasso’s Acrobat Family in focus: an investigation of materials and techniques of an iconic work in the collection of the Gothenburg Museum of Art

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Probing some organic ukiyo-e Japanese pigments and mixtures using non-invasive and mobile infrared spectroscopies

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Manuscript Illumination in 19th-century Italy. Material Analysis of Two Partial Copies from the Squarcialupi Codex

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Digitally reconstructing Van Gogh'sField with Irises near Arles.Part 2: Pigment concentration maps

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Application of Multispectral Imaging and Portable Spectroscopic Instruments to the Analysis of an Ancient Persian Illuminated Manuscript

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Hyperspectral imaging, spectrofluorimetry, FORS and XRF for the non-invasive study of medieval miniatures materials

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Imported Paper, Local Pigments: Charting the Materiality of the 1764 Manuscript Map of the Dagua River Region

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Lucio Fontana and the light: Spectroscopic analysis of the artist's collection at the National Gallery of Modern and Contemporary Art

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