Issue 8, 2014

Old traces, read anew – ‘The Reading Hermit’ painting in the light of X-ray fluorescence

Abstract

There exist several very similar looking versions of the painting ‘The Reading Hermit’, all allegedly painted by Rembrandt Harmenszoon van Rijn (approx. in ∼1630 A.D., Leiden). The classification of Rembrandt's paintings, which were produced by Rembrandt himself, in his academy by his students and the ones being mere copies is a crucial and difficult task. We gathered background evidence and performed elemental analyses by non-destructive micro-X-ray fluorescence (micro-XRF) in order to elucidate the painting's provenance. Elemental distributions of Ca, Mn, Fe and Cu show that the painting was presumably changed during the painting process, which indicates, together with neutron autoradiography (NAR) investigations, that this version of ‘The Reading Hermit’ is not a copy.

Graphical abstract: Old traces, read anew – ‘The Reading Hermit’ painting in the light of X-ray fluorescence

Article information

Article type
Paper
Submitted
17 Sep 2013
Accepted
18 Mar 2014
First published
28 Apr 2014
This article is Open Access
Creative Commons BY license

J. Anal. At. Spectrom., 2014,29, 1354-1360

Old traces, read anew – ‘The Reading Hermit’ painting in the light of X-ray fluorescence

C. Seim, C. Laurenze-Landsberg, B. Schröder-Smeibidl, I. Mantouvalou, C. de Boer and B. Kanngießer, J. Anal. At. Spectrom., 2014, 29, 1354 DOI: 10.1039/C3JA50301A

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